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Applied arts. Arts and crafts --- History --- faith --- tapestries
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Applied arts. Arts and crafts --- History --- faith --- tapestries
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faith --- Coornhert, Dirck Volckertszoon --- Weert, de, Adriaan --- Goltzius, Hendrick
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faith --- Christian church history --- Medieval [European] --- saints --- Jacobus de Voragine --- heiligenverering
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Painting --- History --- inscriptions --- prints [visual works] --- faith --- hunting --- Bruegel, Pieter [Elder] --- anno 1500-1599 --- Netherlands --- Belgium
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Iconography --- Graphic arts --- prints [visual works] --- allegory [artistic device] --- religious symbolism --- faith --- kunst en godsdienst --- anno 1500-1599 --- anno 1600-1699 --- Netherlands --- Flanders --- Prints, Netherlandish --- Religion in art --- Symbolism in art
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Christian religion --- Iconography --- Christianity --- God --- Christian art and symbolism --- Painting --- Faith in art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Themes, motives --- Subjects --- 246 --- 246 Art et symbolisme chretiens --- 246 Christelijke kunst en symbolisme --- Art et symbolisme chretiens --- Christelijke kunst en symbolisme --- Christelijke kunst
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Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices. Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also-perhaps even primarily-functional. From the fresco cycles at Caprarola, to the Vatican's Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays. An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.
astrology --- Renaissance --- Art --- Italy --- Art, Renaissance --- Astronomy, Renaissance --- Renaissance astronomy --- art, artistic, artist, optics, astrology, astrological, italian, italy, renaissance, time period, era, history, historical, academic, scholarly, research, astronomy, theology, theological, belief, faith, religion, religious studies, medical, psychological, theory, theoretical, medicine, radiation, philosophy, philosopher, beauty, aesthetics, function, fresco, caprarola, vatican, sala dei pontefici, villa farnesina, celestial, logic, nature, natural world, physics, protochemistry, mathematics, rays, case study. --- kunst en wetenschap
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faith --- Italian Renaissance-Baroque styles --- art theory --- Noli me tangere --- Art --- easel paintings [paintings by form] --- saints --- Mary Magdalene --- Thomas [Apostle] --- anno 500-1499 --- anno 400-499 --- anno 1600-1699 --- anno 1500-1599 --- Italy --- Christian art and symbolism --- Senses and sensation in art. --- Sex role in art. --- Noli me tangere (Art) --- Touch --- Sex role --- 246 <45> --- Feeling --- Haptic sense --- Haptics --- Tactile perception --- Tactual perception --- Somesthesia --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Religious aspects --- Christianity. --- Christelijke kunst en symbolisme--Italië --- Jesus Christ --- Thomas, --- Didymos, --- Didymos Judas Thomas, --- Didymus, --- Ḟoma, --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Appearances --- Religious art --- عيسىٰ --- Symbolism in art --- Senses and sensation in art --- Sex role in art --- Religious aspects&delete& --- Christianity --- Christelijke kunst --- Italiaanse school
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In Touching the Passion - Seeing Late Medieval Altarpieces through the Eyes of Faith , Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ's suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer's absorption in the narrative. As in the Imitatio Christi , the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.
altarpieces --- Christian religion --- religious art --- Late Medieval --- Art --- anno 1200-1499 --- Altarpieces, Medieval --- Public worship --- Church history --- Faith --- Religious belief --- Theological belief --- Belief and doubt --- Religion --- Salvation --- Theological virtues --- Trust in God --- Christianity --- Worship --- Church attendance --- Medieval altarpieces --- History --- Middle Ages, 600-1500 --- Jesus Christ --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Passion --- Passion of Jesus Christ --- Middle Ages --- Jesus Christ. --- 600-1500 --- Passion of Christ --- Biography --- Lent --- Suffering of God --- Passion narratives (Gospels) --- Passion Week --- Ges --- Ježí --- Masī --- -Nabi Isa
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